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・ Jean Thomas Guillaume Lorge
・ Jean Thompson
・ Jean Thompson (athlete)
・ Jean Thore
・ Jean Thuillier
・ Jean Thurel
・ Jean Théodore Delacour
・ Jean Théodore Lacordaire
・ Jean Théodore Latour
・ Jean Théophile Victor Leclerc
・ Jean Théveney
・ Jean Tiberi
・ Jean Tigana
・ Jean Tijou
・ Jean Tinguely
Jean Tirilly
・ Jean Tirole
・ Jean Tissier
・ Jean Titelouze
・ Jean Tixier
・ Jean Tixier de Ravisi
・ Jean Todt
・ Jean Tome
・ Jean Toomer
・ Jean Topart
・ Jean Tordeur
・ Jean Touitou
・ Jean Toulout
・ Jean Tourane
・ Jean Toussaint


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Jean Tirilly : ウィキペディア英語版
Jean Tirilly

Jean Tirilly (1946–2009) was a French painter, born in 1946 in Léchiagat, Brittany, France. He painted in the Outsider Art tradition coined by the British art critic Roger Cardinal in 1974, first studied by the German psychiatrist and art historian Hans Prinzhorn in the 1920s, and popularized as Art Brut by the French abstract artist Jean Dubuffet in the 1950s. Tirilly's oeuvre stands among the strongest contemporary examples of Art Brut in Europe. His deft technique and unusual sense of vision and purpose, however, stand in sharp contrast to the commonly prescribed features of Art Brut, notably autodidacticism and dissociativism. As such, Tirilly is also a proponent of Marginal or Singular Art (in French, ''L'art singulier''), an art current that eschews many of the habitual artistic qualifiers be they subject, style, method, or purpose. His work is included in the ''Neuve Invention'' section of the important Collection de l'art brut in Lausanne, Switzerland.
== Early life ==
A self-taught artist, Tirilly began painting in 1986 at age 40. Prior to his genesis of the late 1980s, he lived a largely piecemeal life. He trained as a navy mechanic, enlisted in the Marine Nationale, and travelled the globe for a number of years aboard the ''Foch'' aircraft carrier. He then resettled in France, working odd jobs in Brittany while cultivating the elaborate visions of quotidian life in coastal Finistère that had always consumed him and would later constitute his central subject. During a childhood marked by the absence of television, Tirilly's exposure to the absurd and unusual emerged ironically out of his provincial milieu: travelling circuses, drunken bouts between village mendicants, delinquent apple thieves, village idiots, and the host of passers-by and external influences that coloured Breton village life through the second half of the twentieth century.

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